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Originally limited to profane passions in symbolism,  the putto came to represent the sacred cherub plural cherubim ,  and in Baroque art the putto came to represent the omnipresence of God. The more commonly found form putti is the plural of the Italian word putto. The Italian word comes from the Latin word putus , meaning "boy" or "child". Putti, in the ancient classical world of art, were winged infants that were believed to influence human lives. Putti are a classical motif found primarily on child sarcophagi of the 2nd century, where they are depicted fighting, dancing , participating in bacchic rites , playing sports , etc. The putto disappeared during the Middle Ages and was revived during the Quattrocento. The revival of the figure of the putto is generally attributed to Donatello , in Florence in the s, although there are some earlier manifestations for example the tomb of Ilaria del Carretto , sculpted by Jacopo della Quercia in Lucca.
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Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heros , deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument. In ancient Greek art warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts.